Today we will be going to discuss the difference between camera acting and theatre. Theatre actors must exaggerate. They gesture and speak loudly to close the gap so that everyone in the audience can see the action and hear the on stage, there is a conversation.
In contrast, a camera is used in movies to bridge the gap between performers and viewers. Actors
On stage, they are concerned about seeming too big on television. Frequently, their response consists of giving short, hushed performances that lack emotion, aim, and point of view. Every outstanding film performance I’ve ever seen is the complete antithesis of that. All sizes and shapes of performances can be great.
They are all incredibly human. And while humanity may be noisy, annoying, hostile, joyous to the point of dancing on the roof, heartbreakingly humorous, or blatantly foolish. Larger-than-life performances are handled by the camera beautifully—as long as they’re real.
In both forms, acting is acting. The day-to-day labour is the same. You need to be aware of your background, your physical and emotional characteristics; personal interactions with people you meet and converse with level, your dream, and your dedication to achieving it, among other things Knowing the limits of the frame in live theatre, it’s similar to changing your physicality to the size of the house you’re playing in.
You don’t work a 100-seat theatre the same way you would a 3,000-seat theatre, and you don’t work a close-up the same way. in the same way that you would a long shot Working in theatre is like performing surgery with a knife, as Oscar-winning actor as Michael Caine puts it, Filmmaking is similar to laser surgery. When speaking on camera, you just need to say “I love.”
You should say “you” to the person directly in front of you; the person in the back row shouldn’t hear you. That would be strange. There is no one else in the room other than you and your scene partner. Use a video camera to experiment with obtain different shots of yourself to observe how you appear in each one. You will be listening to these new “houses” on set.
Do you actually hear what your scene partner is saying and react appropriately, or are you just “acting” like you are? Determine your physical routines. Are you oblivious? a source of concern? Are these suitable for the game you’re do they make you stronger or weaker? An actor has to burn inside with ease on the outside, remarked
Michael Chekhov. It is the ideal guide for acting on camera. When you enter the set, kindly don’t leave your heart. and your passion behind it.
