Why is script analysis necessary?
Because we are not merely robots that can feel. Making the audience feel is more important to us as actors than making ourselves feel, and we largely accomplish this by trying to evoke emotion in the other character in the scene.
Acting is, in some ways, about attempting to bring about change. To accomplish this, we must know what to DO rather than what to feel. We control what the viewer sees, and what the viewer sees is generally what we do. How can you tell someone’s feelings by the way they look?
How can you tell what they are feeling when they stand in front of you? Even when we do recognise it in ourselves, much less in others, it can be challenging. We are not telepaths, therefore we are unable to read one another’s minds.
But we are able to interpret one another’s body language. Though not exactly or precisely in an objective sense, our minds are wired to perform actions like this. The context of your character’s circumstances is provided by an understanding of the overall script’s flow.
Your performance will have more depth and nuance if you are aware of your character’s circumstances and those of the characters with whom you interact. Actors’, directors’, and stage designers’ performance scripts are significant because they may contain instructions or notes.
When researching a particular production or the performance history of a play, these texts can be helpful. It gives you a preconceived idea of what will be said and what scenes will be shot to complement the main point you’re attempting to make.
By planning ahead with the aid of your script, you can prepare the several components that will combine to create the finished product by planning ahead.
Also you can take help of online text tools to manipulate text online itself.
